So it is with the work of art.
艺术作品也是这样。
The only purpose of the work of art is to afford aesthetic bliss.
艺术作品的唯一目的是提供美学极乐。
The place of the work of art can be understood at this point.
在此，我们便会理解到艺术作品的地位。
They consider the work of art both as an end and a beginning.
他们认为，艺术作品既是终点也是起点。
To tell a story, then, is to pass on the message, to share the work of art.
那么，讲故事既是向人们传播讯息，并和他们分享这个作品。
To collect also means to study and to appreciate the true value of the work of art.
收藏因而也指研究、鉴赏艺术品之真价值。
To some extent, the work of art or the piece of music still carries that energy field.
在一定程度上，这个艺术作品，或者这首乐曲，仍然携带着那个能量场。
The work of art embodies a drama of the intelligence, but it proves this only indirectly.
艺术作品体现的是智慧的表演，但它只是间接地证明了这一点。
The work of art arises from a background of other works and through association with them.
艺术作品源于对其背景下，其他作品的理解和联系。
And secondly there's another advantage of notation. It allows us to preserve the work of art.
记谱法的第二个优点是让我们能保存艺术作品。
Imagine telling a story about the work of art, or being the artist and describing it to other people.
想象自己在讲述一个关于这件艺术品的故事，或者把自己想象成艺术家来给其他人描述作品。
For the work of art likewise is a construction and everyone knows how monotonous the great creators can be.
因为艺术作品同样是一种建构，而且每一个人都知道那些伟大的创造者们有多么的单调。
Heidegger's exploration of the origin of the work of art is, in nature, the exploration of being of the being.
海德格尔对艺术作品本源的探讨，在本性上就是探讨存在者的存在。
In this universe the work of art is then the sole chance of keeping his consciousness and of fixing its adventures.
于是，在这个宇宙中，艺术作品是让他保持清醒、确立种种冒险的唯一机会。
In this case, t. S. Eliot 's "objective correlative" is the symbol assigned by Hunting Complex to the work of art.
在这里，t.s.艾略特的客观对应物即“寻猎情结”所赋予作品的象征物。
Simply because the majority of the population does not understand it does not mean that the work of art has no merit.
只是因为大多数人不理解并不意味着一件艺术品就没有价值。
And then you have the finished product - the piece of music that is played, or the work of art that somebody contemplates.
然后，你有了成品演奏的这首乐曲，或者是某人凝视的这幅作品。
It would be wrong to see a symbol in it and to think that the work of art can be considered at last as a refuge for the absurd.
人们在那之中要是看到了一种象征，把艺术作品当成是荒谬最后的安身立命之所，就大错特错了。
AT THIS POINT one can raise a question about the survival of the very notion of authorship and of the work of art, as an organic whole.
对此，人们会提出作者身份和艺术作品的完整概念，作为一种有机整体能否幸存的问题。
That is the China artist Yuchuan Pan's performance art "watching" on going, and is the work of art of today's "interposition" project as well.
这是中国艺术家潘育川的行为艺术“观望”正在进行当中，其也是今天“介入”项目的艺术作品方案。
Ideas like this, as I say, are taken from the aesthetic and practical thinking about the nature of the work of art that one finds in Modernism.
这种观点，来自对，现代主义作品美学和实际的考虑。
Actually, I seldom visit museums coz there is only an art museum in my hometown and I am weak in understanding the deeply meaning of the work of art.
事实上，我很少去博物馆因为我家乡只有一个艺术博物馆，我对艺术品的深层含义理解很薄弱。
If we're focused on the work of art in and of itself, on the poem, we obviously in thinking about what it means need to come to terms with three kinds of evidence.
将注意力放在艺术作品本身或者说诗本身上，很显然，如果我们想考虑它所表达的意思的话，我们必须对三种证据作出让步。
In regard to the work of art, it should therefore be possible to define one of the directions of the absurd analysis that could have been anticipated in the preceding pages.
因此，至于一部艺术作品，我们能够勾勒出荒谬分析的方向，而在从它开篇的寥寥数笔中，我们甚至已然能够感知到这一方向。
It will suffice to bring to light a few themes common to the creator and the thinker in order to find in the work of art all the contradictions of thought involved in the absurd.
我们只要揭示创造者和思想家的一些共同之处，便足以发现艺术作品中所有涉及荒谬的思想矛盾。
From this, we can find that, the manner of writing this thesis is: using hermeneutic way, viewing art from the most essential factor ---the work of art, and at last return to the work.
由此得出本文主体部分的行文思路：用解释学的方法，从艺术构成的第一要素——艺术作品入手，再反观艺术本身，最后再回到艺术作品。
From this, we can find that, the manner of writing this thesis is: using hermeneutic way, viewing art from the most essential factor ---the work of art, and at last return to the work.
由此得出本文主体部分的行文思路：用解释学的方法，从艺术构成的第一要素——艺术作品入手，再反观艺术本身，最后再回到艺术作品。
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