The objective of this dissertation is to study ancient bullas as Seal Cutting Art on characters transformation, prettification, combination and the arrangement .
本文的出发点是以篆刻艺术的眼光看待古玺中的文字的变形、美饰手段、组合方式和文字的排列方式（章法）。
Nowadays the art of seal cutting is very flourishing, but it is in a long distance from the modern life.
当代篆刻艺术空前繁荣，然而篆刻艺术与现代生活的远离，又无情地压缩了篆刻艺术的生存空间。
On the base of introduction the history of the seal cutting art, Wu Chang Shuo who is the seal cutting art master is the typical model. From the angle of culture tradition .
本文以篆刻印语为切入点，在介绍篆刻艺术历史背景的基础上，以篆刻艺术大师吴昌硕为个例。
The logo combines Chinese traditional art with modem Olympic spirit by means of the unique techniques of Chinese seal cutting and calligraphy, which have a history of 5000 years.
该标志以独特的、具有五千年历史的中国印章篆刻和书法为手段，把中国传统艺术和现代奥林匹克精神结合起来。
The logo combines Chinese traditional art with modem Olympic spirit by means of the unique techniques of Chinese seal cutting and calligraphy, which have a history of 5000 years.
该标志以独特的、具有五千年历史的中国印章篆刻和书法为手段，把中国传统艺术和现代奥林匹克精神结合起来。
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