约尔丹斯
《继母礼赞》从许多油画里借用了一系列场面,从约尔丹斯(Jordaens)的《坎德洛,利迪亚之君》(Candaules, King of Lydia)到弗拉-安吉利科(Fra Angelico)的《天使报喜》(Annu...
约丹斯
...及其流派的大量杰出作品,此外还有菲美尔(Vermeer)和吕斯达尔(Ruysdael)以及伟大的佛兰德艺术家鲁本斯(Rubens)、约丹斯(Jordaens)和凡·代克(Van Dyck)的杰作。
乔登斯 ; 雅各布乔登斯 ; 约丹斯
约尔丹斯
Jacob Jordaens (19 May 1593 – 18 October 1678) was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Unlike those contemporaries he never traveled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens's main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
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