This essay aims at discussing the aesthetic perception of brush stroke in the oil painting based on such various aspects as dynamic force, surface layer, rhyme, skill as well as spirit.
本文主要从笔触的力度、表层、节奏、技巧、精神论述了笔触在绘画作品中的美感。
In this essay, the author try to expound his new theory of metrical poem through three aspects: aesthetic perception in music, construction, and painting.
本文从音乐美、建筑美、绘画美三个方面论述了闻一多对新诗格律的民族化建构。
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