• Raise the objection, that's Plato raises the objection in the voice of Cebes but Socrates, on Plato's behalf, never answers the objection.

    提出反对观点是柏拉图,替赛贝斯提出的,但是苏格拉底,从没回应过这个反对观点。

    耶鲁公开课 - 死亡课程节选

  • Were you thinking about working in the field of voice acting from the start?

    从一开始,你就是想做配音工作吗?

    想成为配音演员 - SpeakingMax英语口语达人

  • He's a literary power, a figure who could be called upon to supply the voice of tradition in itself.

    他是一种文化力量,一个,可以随时用来声援传统文化的人物。

    耶鲁公开课 - 弥尔顿课程节选

  • So this is a kind of model for the late Yeats in poetry the voice of the angry and wild slum woman.

    这是叶芝晚期诗的一种模式,狂怒野蛮的贫民窟人的话。

    耶鲁公开课 - 现代诗歌课程节选

  • Suddenly the vision begins to transform and he begins to hear the voice of Paul, "Thrice was I beaten, twice was I imprisoned, in shipwrecks often, in peril often."

    突然之间,视觉的幻想开始改变,他听到了保罗的声音,“我被人打过三回,囚禁两次,经常受苦受难“

    普林斯顿公开课 - 人性课程节选

  • So, Salinger imagines that the literary art imitates that kind of voice, and in that way it is a sacred practice, a sacred art.

    所以,Salinger将文学艺术,比作那种声音,在那种情况下,文学是一种神圣的做法,是神圣的艺术。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • They love to kind of luxuriate in the opportunity to show off their voice on a leading tone, build up expectation, make you wait even more for that tonic.

    他们总是喜欢借机,在导音部分卖弄下自己的歌喉,以增加听众的期望,让大家更渴望听到主音

    耶鲁公开课 - 聆听音乐课程节选

  • At the same time, you might think his reticence, his reluctance to speak in his own voice may have also been a response to the fate of Socrates and politically endangered situation of philosophy.

    同时,你也可以将他的缄默,与不发言的冷淡,可能也是,对苏格拉底的遭遇,及哲学在政治上危险处境的响应。

    耶鲁公开课 - 政治哲学导论课程节选

  • Good, so we assumed, we kind of jumped to just one election and at least in the American system, for better or for worse, I could voice an opinion on that there are lots of little elections on the way.

    好,让我们假设,我们把思维跳跃到某一次选举中,至少在美国社会里,无论正误,我都有权发表自己的言论,现在正有很多初选进行中

    耶鲁公开课 - 博弈论课程节选

  • Each book, each writer, each voice reflects another thread in the rich tapestry of human experience, human response to life and its puzzles, human reflection on the sublime and the depraved.

    每本书,每个作者,每种声音,反映了纷繁人类历程画卷中的一个侧面,人类对生活和生活困惑的反应,人类对高尚和腐败的思考。

    耶鲁公开课 - 旧约导论课程节选

  • Milton can allow himself a literary indulgence in the rich sensuality of this passage because he has mastered the dread voice, he has mastered the fatherly sternness of Saint Peter.

    他能够允许自己沉溺于这种丰富的感官享受中,因为他已经能够掌控了这种恐怖的声音,他能够处理圣彼得的父亲般的严厉。

    耶鲁公开课 - 弥尔顿课程节选

  • In "The Horror and the Glory," the second half of the book as originally written, that voice becomes the parenthetical.

    恐惧与荣耀“,在书的第二部分,插叙引出了。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Homer was in error, Milton told us, and Milton called on the moral voice of Spenser to help him make that moral judgment against Homer.

    弥尔顿告诉我们荷马错了,他还要求斯潘塞的道德之声,帮助他做出反对荷马的道德判断。

    耶鲁公开课 - 弥尔顿课程节选

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