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It had been my accidental reading of fiction and literary criticism that had invoked in me vague glimpses of life's possibilities.
我偶尔会读小说和文学评述,这让我隐约地窥探到,生活的可能性，“
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So I'm actually writing my own fiction, and no, it's not easy. But you can actually learn from, if you read other writers.
我现在也正在写自己的小说，真的不容易。但是你可以从你以前阅读的作品中学到很多。
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So these are forms of the experience of reading fiction of which Iser disapproves because there's no work being done.
这就是那些阅读小说经历的形式,伊瑟尔不赞同这种形式，因为这种阅读没有任何成就。
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And I take that to be the paragraph where he talks about what fiction has done for him specifically.
重申了,这种念头，“,绕了一圈。
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The wonderful line he has in his last prose-fiction "Worstward Ho", Try again, fail again, fail better.
在他最后一部散文小说《向西去啊》有一句，再尝试，再失败，却更好地失败。
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Same memories, same believes, same desires same feels, same goals-- we obviously can't do that, this is a science-fiction story.
同样的记忆，信仰，渴望,感觉和目标-,很明显我们做不到，这是个科幻设想。
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One can never come before something that, of course, has already happened, but this fiction of an impossible firstness is something that Milton is working very hard to accomplish here.
一个人绝不可能先于，已经发生的事情，但弥尔顿在这里就是要,努力达成这种不可能的先知。
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In Stevens, modernity shows us that the truth of religion was always a fiction, a fundamentally poetic construction.
在史蒂文斯的诗里，现代性向我们展示了,宗教的真理不过是虚构之言，是最基本的诗意创作。
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Does Socrates believe that speech ? that he constructs between himself and the laws or is it simply a fiction that he creates for the sake of relieving ? his friend of the guilt he evidently feels for being unable to help Socrates?
苏格拉底相信,建构于他与法律之间的说法吗,或那仅是,他创出安抚友人,自责的借口,因为他们对无能抢救苏格拉底？
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Right, like, fiction? No, not really. I'd say, I'm taking a fiction writing class right now.
自己写小说？不容易啊。我现在就在上小说写作课。
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He's been in dramas and crime serials, thrillers, westerns, horror movies, science fiction, musicals.
他演过电视剧，犯罪连续剧，惊悚片，西部片，恐怖片，科幻片，音乐剧。
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Well. For what? the science fiction?
喜欢什么，科幻小说吗？
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Here I paused in my fiction to shield my eyes and stanch the arrow-straight tracks clawed down my cheek.
飞箭在我脸上笔直地犁出了一条伤口，我停止了幻想,遮住眼睛，赶忙去止血。
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Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语，一旦我们习惯了,这种科学视角，我们为什么还需要伪陈述和虚构呢？
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This is part of what I find so compelling about fiction and literature in general in this period.
这是我所找到的这个时期,小说和文学通常引人注目,的原因之一。
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What's the relationship between fiction and what we all experience as the real world?
小说和我们的现实经历,的关系又是什么？
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