• The association of Catholicism as the dominant religion in both of the enemy countries, France and Spain, is extremely important.

    作为这两个敌国的国教,天主教会和法国及西班牙的联系举足轻重

    耶鲁公开课 - 欧洲文明课程节选

  • She was a Catholic, and she very much made her Catholicism at the center of all the things that she said about her fictional practice.

    她是天主教徒,而且很大程度地将,天主教义作为所有创作内容的中心。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Anti-Catholicism is very much strongly entrenched in the British sense of who they were.

    所以,反天主教的思想是根深蒂固的,广泛存在于英国的身份认同感里面的

    耶鲁公开课 - 欧洲文明课程节选

  • She expands a little bit on this sense of her Catholicism.

    她深入说了关于她的天主教义。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But then there is this very explicit discussion of her Catholicism, a little further down: My background and my inclinations are both Catholic, and I think this is very apparent in the book.

    然后这里有一段非常明确的,关于她的天主教义的讨论,在往下看一点:,“天主教是我的背景和取向,我想这在书中有很明显的体现。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Those two are already linked, along with anti-absolutism and anti-Catholicism.

    跟反天主教和反绝对主义,紧密联系在一起

    耶鲁公开课 - 欧洲文明课程节选

  • In the case of the Netherlands, anti-Catholicism is endemic.

    而在荷兰,反天主教主义盛极一时

    耶鲁公开课 - 欧洲文明课程节选

  • Fourth, anti-Catholicism in both cases.

    第四原因,这两个国家都反对天主教

    耶鲁公开课 - 欧洲文明课程节选

  • When it looks like those kings are going to restore Catholicism, at least have lots of paintings of swooning cherubs, and Baroque Italian art in Windsor, and London, and these other places, then you've got a revolution.

    当国王们露出想恢复天主教的迹象,至少在温莎,伦敦以及其他地方,很多意大利式的巴洛克艺术,比如狂喜的小天使之类的艺术广受君王追捧,这就引发了革命

    耶鲁公开课 - 欧洲文明课程节选

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