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"There's a lot of sketching that goes on,and a lot of times I don't know where things are going to fit in the texture.
VOA: special.2010.07.12
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We simplify it by saying this: that there are three fundamental textures: monophonic texture, homophonic texture, and polyphonic texture.
简而言之,有三种基本织体,单音织体,主音织体和复音织体
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But the idea that they're all kind of independent, points out once again that they are playing polyphonic texture.
但它们基本上相互独立这一点,再一次证明,这是一个复音织体
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The signs include a skin growth that changes in size,color, thickness or texture.
VOA: special.2010.07.06
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The connotation, I have suggested, is of the variety of kinds that one might gingerly approach in thinking about complicating the texture of the story.
而深层的涵义，我认为，认真考虑的人,会有各种,不同的解读。
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They provide a different texture for every dream and a layered dream world.
VOA: standard.2010.07.20
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You can feel it in the marvelous texture of this poetry.
你们可以从这首诗的非凡特点中看出。
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Now we're going to turn--focus a bit more on polyphonic texture because there are two types of polyphonic texture.
现在我们要把注意力,放到复音织体上,因为有两种复音织体
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All right, that's just an opening thought about why melodies show up in the top part of the texture.
好吧,这只是一个引导性的思考,为什么旋律会出现在织体的上部
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Homophonic texture is where it all lines up pretty much together; all the parts are changing together. One, sing.
主音织体是比较紧凑的,所有部分一起改变,一,唱
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Last time we said we had three kinds of texture in music which are: monophonic, homophonic and polyphonic.
上一次我们说过,音乐中有三种织体,单音,主音和复音织体
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So we'll start it at pitch there and I'll give you two and then we'll sing "La" And we will exemplify monophonic texture.
那我们就从这个音高开始,我喊到二然后我们一起唱,啦,我们来演示一下单音织体
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Let's listen to the end of the polyphonic texture, then Beethoven, and we'll stop with this.
我们来听完这段复音织体,贝多芬,我们多说一点
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Texture in music is the dispositions of the musical lines.
音乐中的织体是曲调线的分布
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It's rich in color and texture.
色彩绚烂，质地丰润。
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How sweet it is. Okay So that's sweet-sounding homophonic texture, mostly just chords. Thanks, Lynda.
多甜美啊,好,这就是甜美的主音织体,大多数只是和弦,谢谢,琳达
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Think of the texture of music and think of these strands of high and low.
让我们思考音乐的织体,以及这些高低的线条
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So listen to a good example of non-imitative texture, polyphonic texture.
好好听这个,非模仿式织体,复音织体
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Now, how many parts are there in the texture?
现在,织体中有多少个声部
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Foucault couldn't possibly allow for that because plainly the whole texture of their discourse would be undermined by introducing the notion that it's okay to be a master, and yet Ricoeur feels that these figures dominate modern thought as masters.
福柯不会认同因为,这样的话他们话语的整个结构就会被破坏,如果引入可以作为大师的观点的话，同时,里克尔感觉这些人支配着现代大师的思想。
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But you're absolutely right, that's the key point and that then answers, Marcus, what's the texture.
但你无疑是对的,这是关键点,然后你回答,马库斯,织体是什么
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If you put in other little strands of melody, it changes it more toward polyphonic texture.
如果将之放到其他的小旋律中，将会改变对位材质。
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Without those other things running around we would have a good sort of model of homophonic texture, sort of block chords changing in that fashion.
如果没有这个其他东西单独进行我们将会获得一种不错的同音材质，一种阻断的和弦在改变。
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We're going to exemplify homophonic texture here and we want you to sing the melody and we'll try to do the parts underneath of it.
现在我们来演示主音织体,我们希望你唱旋律,而我们大家来唱下面的声部
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We're going to talk a little bit about musical texture.
我们来稍微讨论一下音乐的织体
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How many lines can you hear in this texture?
在这段织体中大家能听到多少条旋律线
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So that's monophonic texture, just one pitch.
这就是单音织体,只有一个音高
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And thirdly, what is this texture called?
第三,这种织体叫什么
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Where does melody sit in the texture?
旋律位于织体的哪里呢
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If you think about it conceptually, try to figure out, well, I got this board up here, this tapestry, or whatever, where's my melody going to be in the texture: high, middle or low? Michael?
请从概念上来思考它,试着找出,面对这块黑板,或挂毯,或任何东西,我的旋律该在织体的哪个位置,高,中间,还是低,迈克尔你说
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