Directors John Woo, Feng Xiaogang and Chen Kaige also have acting roles.
导演吴宇森、冯小刚和陈凯歌也都在其中饰演了角色。
The Midas touch of Feng Xiaogang is reaching all the way to North America.
冯小刚的金手指已经全面触伸到北美地区。
Wang Shuo, Feng Xiaogang and all those movie stars-none of them has the academic credentials I do and what they produce is not up to my standard, yet they do make big bucks.
王朔、冯小刚，还有大批的影星们，学历都不如我，搞出的东西我也看不入眼。
But director Feng Xiaogang said it is "better not to participate."
对此，导演冯小刚表示“不去为妥”。
He gives the Bruins BugFeng comedy style, have been very clumsy bears lovely voice accompanied by Feng Xiaogang, is really quite perfect.
他赋予了棕熊布格冯氏喜剧的风格，本来就很可爱笨拙的棕熊配上冯小刚的声音，真是十分的完美。
It is teaming with film director Feng Xiaogang to overhaul this year's Spring Festival Gala and is co-producing several new TV series with a handful of local media companies.
央视正在与电影导演冯小刚一同对今年的春晚进行全面调整，并且正在与一些地方媒体公司联合制作几部新电视剧。
Feng Xiaogang is perhaps China's most clever commercial movie director.
冯小刚也许是中国最精明的商业片导演了。
The 58-year-old director, along with Zhang Yimou and Feng Xiaogang, are undisputedly the three most famous filmmakers in China.
这个58岁的导演连同张艺谋、冯小刚毫无争议是中国最著名的导演制作人。
We all like watching the movies directed by Feng Xiaogang.
我们都喜欢看冯小刚导演的影片。
Feng Xiaogang is a Chinese film director noted for his humorous films and New Year celebration films, which have won him many fans.
冯小刚，中国导演，以其幽默的创作风格和最高上座率的娱乐贺岁影片著称。
Zhang Yimou used to be very sensitive to social concerns, and Feng Xiaogang has a magical hunch for local audience's interests.
张艺谋对社会关注点具有很强的敏感性，观众的兴趣是冯小刚不断追求。
We all like the movies directed by Feng Xiaogang.
我们都喜欢看冯小刚导演的影片。
The second part is Zhang Yimou, the Feng Xiaogang commercial movie's creation erroneous zone mainly displays in the form beautiful and the content void, the cost huge and type redundant.
第二部分是分析张艺谋、冯小刚商业电影的创作误区：形式的绮丽与内容的空虚、成本的巨大与类型的重复。
Feng Xiaogang, the man behind a series of hit comedies, also says he is seeking writers from the United States for two comedy dramas, Cell Phone 2 and Marriage Lab.
执导过一系列卖座喜剧的冯小刚也说他正从美国寻找两部喜剧《手机2》和《婚姻实验室》的作家。
Third, the second chapter, Zhang Yimou, Feng Xiaogang commercial movie's artistic performance.
第二章，张艺谋、冯小刚商业电影的艺术表现。
Director Feng Xiaogang can always stand in average person's standpoint, portrays another ordinary average person's image by unimportant person's Angle of view.
冯小刚导演能够始终站在普通人的立场，以小人物的视角刻画出一个又一个平凡普通人的形象。
The second part is the Feng Xiaogang film narrative comedy style, also is the key point which this article elaborates. To analyze the comedy language by unifying Feng Xiaogang film's origin.
第二部分是冯小刚电影叙事的喜剧风格，也是本文论述的重点，将冯小刚电影的游戏化和喜剧语言结合冯小刚从影的渊源进行剖析。
The third part is the Feng Xiaogang film narrative value judgment, this article believes it has the vital significance to Feng Xiaogang film on successful market cultivation.
第三部分是冯小刚电影叙事的价值判断，本文认为其对冯小刚电影对市场的成功培育有着重要意义。
The new year′s greeting film directed by Feng Xiaogang, without grand scene, beautiful landscape or amazing story, is always popular with the audience.
冯小刚的贺岁电影没有宏大的场面，没有绚丽的色彩，没有曲折的情节，但却历来被观众所称道。
The fourth part discusses Feng Xiaogang film narrative transformation - reforming and the symptom, both the result and insufficient of Feng Xiaogang's film are included.
第四部分探讨冯小刚电影叙事的转变—转型与症候，既看到成绩又注意到不足。
The new century, the success of the martial arts movie directors are of the success of ang Lee, Zhang Yimou, Chen Kaige, Feng Xiaogang has its own characteristics.
新世纪武侠电影的成功是导演们的成功，李安、张艺谋、陈凯歌、冯小刚各有自己的特色。
Feng Xiaogang, China's most commercially successful filmmaker.
冯小刚，中国在商业上最成功的电影导演。
Feng Xiaogang film from the beginning, there will be no secret of his pursuit of value.
冯小刚从一开始拍电影就没有掩饰过自己对价值的追求。
This part first summarizes the features of the films of Feng Xiaogang, and then points out the practical significance of his films to Chinese film.
第五部分是结语，先是总结冯小刚电影的特征，然后指出冯小刚电影对中国电影的现实意义。
Meanwhile, this part indicates that Feng Xiaogang starts his narrative transformation after the film the Mobile Phone, from comedy to tragedy then to serious play.
同时指出，从《手机》开始，冯小刚开始叙事转型，转型过程是从喜剧到悲剧再到正剧。
Then, analyse and probe into the main style of creating of its film from success of Feng Xiaogang movie for greeting the New Year, it is very necessary.
那么，从冯小刚贺岁电影的成功来分析和探讨其电影的主要创作风格，是很有必要的。
Then, analyse and probe into the main style of creating of its film from success of Feng Xiaogang movie for greeting the New Year, it is very necessary.
那么，从冯小刚贺岁电影的成功来分析和探讨其电影的主要创作风格，是很有必要的。
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