"Bestrangement" is the core concept of Russian Formalism and principle of Formalism Method.
“陌生化”是俄国形式主义的核心概念，是“形式主义方法”的原则。
Literariness and Estrangement are the focuses and embodiments of Russian formalism literary theory.
“文学性”与“陌生化”是俄国形式主义理论精髓的集中体现。
"The Alienation theory" came from Russian Formalism, which is the synonym of Brecht's theatre theory.
“陌生化理论”来自于俄国形式主义，是布莱希特戏剧理论的代名词。
Literariness and defamiliarization are two importance concepts advanced by the critical Russian formalism.
“文学性”与“陌生化”是俄国形式主义批评流派提出的两个重要概念。
The theory is directly influenced by the theories of literary autonomy and defamiliarization of Russian formalism.
它受到俄国形式主义的文学自主性和陌生化理论的直接影响。
Not contented with traditional literary research, Russian formalism puts forward the notion of "literariness," and offers "defamiliarization" as a solution.
摘要俄国形式主义出于对传统文学研究的不满，提出“文学性”的问题，并以“陌生化”作为解答。
Defamiliarization is the representative theory of Russian formalism, which believes the task of literature is to defamiliarize the familiar perception and language performance.
“陌生化”是俄国形式主义学派的代表理论，认为“文学性”在于使熟悉的事物感知和语言表达陌生化。
On the basis of the textual analysis of the novel, V-effect of character depiction from Russian formalism is used to explore the novelty and peculiarity of the depiction of Santiago.
在对小说文本进行分析的基础上，尝试运用俄国形式主义学派的“陌生化”手法解读桑提亚哥这一人物形象塑造的新颖、奇特之处。
Thus oriented, this chapter naturally comes in the light of Russian Formalism, with particular reference to "defamiliarization", the central concept of this literary critical thinking.
本章的定位自然而然引带出俄国形式主义的中心观念“陌生化”作为理论观照，两诗人分别从词语陌生化的角度接受审视。
Thus oriented, this chapter naturally comes in the light of Russian Formalism, with particular reference to "defamiliarization", the central concept of this literary critical thinking.
本章的定位自然而然引带出俄国形式主义的中心观念“陌生化”作为理论观照，两诗人分别从词语陌生化的角度接受审视。
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